Hyperlink Cinema
978-613-2-65407-6
6132654070
124
2010-10-18
39,00 €
eng
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Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. Hyperlink cinema is a term coined by author Alissa Quart, who used the term in her review of the film Happy Endings for the film journal Film Comment in 2005. Film critic Roger Ebert popularized the term when reviewing the film Syriana in 2005. These films are not hypermedia and do not have actual hyperlinks, but are multilinear in a more metaphorical sense. In describing Happy Endings, Quart considers captions acting as footnotes and split screen as elements of hyperlink cinema and notes the influence of the World Wide Web and multitasking. Playing with time and characters' personal history, plot twists, interwoven storylines between multiple characters, jumping between the beginning and end are also elements. Ebert further describes hyperlink cinema as films where the characters or action reside in separate stories, but a connection or influence between those disparate stories is slowly revealed to the audience; illustrated in Mexican director Alejandro González Inarritu's films Amores Perros, 21 Grams, and Babel.
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